Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Bihzad
The Gatekeeper denies entrance by one unworthy of the garden

ID: 34192

Bihzad The Gatekeeper denies entrance by one unworthy of the garden
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Bihzad The Gatekeeper denies entrance by one unworthy of the garden


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Bihzad

the period of 1465-153 Persian illustrator. The most famous master of Persian painting, he is important both for the paintings he executed and for the wider influence of the style associated with his name. Evidently orphaned at a young age, Bihzad is said to have been raised and trained by MIRAK, a painter and calligrapher employed in Herat by Husayn Bayqara.  Related Paintings of Bihzad :. | Mahan s diabolic horse | Alexander or Sikandar annuls the magic of the malevolent idol at the entrance to the ocean | The Crescent moon turned downwards | Timur enthroned | Tamerlane leading the assault of the castle of the knights of the Hospitallers of Saint john at Smyrna |
Related Artists:
KEYSER, Thomas de
Dutch Baroque Era Painter, ca.1596-1667 son of Hendrick de Keyser I. Following an apprenticeship with an unidentified master in painting, he trained from 1616 to 1618 with his father in architecture. Although he ultimately followed his father and two brothers, Pieter and Willem, into service for the city of Amsterdam as city mason (1662-7), no designs for buildings by Thomas are known, with the exception of an unbuilt triumphal arch published in Salomon de Bray's Architectura moderna
Alberto Pasini
Italian Painter, 1826-1899
Carlo Dolci
1616-1686 Italian Carlo Dolci Locations Italian painter. The major Florentine painter of the 17th century, he enjoyed an international reputation in his own lifetime. He was a gifted portrait painter and painted a number of large altarpieces, but his reputation is largely based on his half-length, single-figure paintings, characterized by their intense religiosity and meticulous technique. His mature style was complex and sophisticated. Intended for cultivated and aristocratic circles, his was never a popular art in any sense. Baldinucci described the painter tormented fantasy and dark fantasms, and his disturbed personality is evident throughout his work after the later 1640s.






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